Sunday, December 11, 2011
Press & Such
Tuesday, December 6, 2011
performance
The above quote, which can be found in Diane Keaton's memoir Then Again, was recently reprinted in The New Yorker in a review for the book. While I am not normally one to read celebrity memoirs, if Ms. Keaton's entire book is filled with such beautiful prose, of course I will read it. Most fiction doesn't possess such meaningful lines.
Plus, this is the woman behind Annie Hall! This is the love interest in Manhattan. All my favorite Woody Allen films involve Diane Keaton. She and Woody Allen have a spark that he does not possess with his other screen loves (Mia Farrow, etc). Frankly, she just comes off as badass.
But this post is not about my respect for Diane Keaton. It's about sadness. Sadness and young girls, because Keaton hits on a tragic, yet nonetheless solid, point. I think women far more than men find a time in their life-- often when they are 12/13/14 years of age -- when the sadness sets in. We realize beauty standards are basically unobtainable, we realize we are often relegated as a fixture of 'the male gaze' (now my feminist classes from college are cropping up), we realize that life for us more than men will be unfair and often cruel unless we are willing to play 'the game.' How can we not be sad?
For a recent example of this, look at Steve McQueen's haunting film Shame (which contains a stunning performance by Michael Fassbender). In the film the protagonist (Fassbender) repeatedly misuses women in an attempt to escape his own unhappiness. Here, women are portrayed as victims often to nothing more than a gaze. Fassbender, in one of the opening scenes, basically eye-rapes a woman sitting on the subway. It's a fragile scene that takes your breath away when you watch the myriad of expressions that pass through the woman's face -- flatter, intrigue, embarrassment, guilt (she sports a wedding ring), horror and self-loathing and most of all fear. Even though no man has followed me off the subway except to try to get a number (not to just go have casual sex), I know how she feels-- and I bet most women do, too.
I think many girls, like Keaton, manage this sadness by performing. We're expected to perform anyway, so why not make a career out of it? We perform by laughing off comments that might be meant kindly but are often chauvinistic. We perform by being good students and trying to make our teachers and parents proud. We perform by doing our best to look a certain way. We are continually performing. Frankly, those who don't are often shunned.
I'm not saying this is a sadness unfamiliar to men. My brother was often shunned at his high school because he did not perform/suck up to the teachers as expected. He refused to give an iota about how he looked. He was a free-thinker. And only now, after college, do I think he has found himself. That said, he's also accepted the need to perform. He acts a certain way during interviews, he has mastered the social contract.
Part of me mourns for my younger brother the rebel. But a larger part of me understands that he has just accepted what we all must learn to accept -- the necessity of performing, even if it's just a little bit. No man is truly a free thinker.
As Albert Einstein put it, “When I was a fairly precocious young man I became thoroughly impressed with the futility of the hopes and strivings that chase most men restlessly through life. Moreover, I soon discovered the cruelty of that chase, which in those years was much more carefully covered up by hypocrisy and glittering words than is the case today. By the mere existence of his stomach everyone was condemned to participate in that chase. The stomach might well be satisfied by such participation, but not man insofar as he is a thinking and feeling being."
So there you have it. You don't have to be a genius to know this one's right.
Monday, December 5, 2011
Baking/Cooking Blogs
One Step Forward, One Step Back
Friday, December 2, 2011
How I Learned To Stop Worrying And Accept The Jeans Or, My Life As a Kate Winslet Character
Thursday, December 1, 2011
Go Blow Yourself, Wind!
In case you haven't heard the news today, 350,000 people in Los Angeles County lost power due to epic winds. Nick's and my apartment in Los Feliz lost power around 11pm Wednesday night, and my mother's Pasadena apartment window was blown in and shattered all over the place. She, however, still has power-- so we're camping out at her place tonight. Though from the fallen foliage up an down her street, it's surprising how well she's fared.
An Old Blog Entry To Start The New
When I embarked upon my middle school Prep education in the fall of 1997, I had two measures for success: having a million friends, and publishing The Great American Novel. As Prep had less than a million students, and I had yet to learn the difference between effect and affect, these were lofty if not impossible goals.
Still, they were mine, and the publishing goal especially I kept close to the chest, like a warm blanket I could snuggle on those cold Californian nights when I was crying over the chromosome chapter in my AP Bio textbook or the fact that I had not been cast in my dream roll in the all-school musical. This too will pass, I told myself with each passing year,and one day I will be published.
The creative writing teacher at the time, Mrs. Leidenthal, wisely told me that if my only reason for writing was to be published I’d never become a good writer. This was sound advice, so of course I ignored it. Every short story I wrote for every class, I set aside to send off to a literary magazine. I was so cool I signed my name at the end of each submission with a purple sparkle gel pen. Of course, if I heard back at all, it was your standard rejection.
College came, and while I never found my college English classes as difficult as, say, Mr. Vaughn's Honors American Literature class, my writing improved with age. Beloved writer and mentor Aimee Bender (check out her work!) spent many hours helping me improve my craft, and while T.C. Boyle called one story of mine a great disappointment, he praised my second effort. I learned to manage rejection with much more elegance and much less bitterness than I had at Prep. As I spent hours considering the harsh reality that most of my stories would never see the light of day, I remembered how to enjoy writing for writing's sake. And then I started to get published.
This is no fairy-tale. The best things I've ever written have been rejected hundreds of times, while stories I word vomit out in the span of seconds enjoy some moderate success in often unknown online publications. The story I am still most proud of I wrote in elementary school (it was about seven cats that go shopping). Taste is fickle. People, no matter how proficient the prose, will reject you for reasons you might never understand. This fact is not just part of being a writer, it's part of life.Indeed, while I have a cookbook out, and I am beyond thrilled and grateful for such luck, I am still far from my goal of writing and publishing the next Great American novel. I may attempt to write it, I may become distracted by other projects. Yet, I know Mrs. Leidenthal-- and all the teachers at Flintridge Prep who echoed her message-- were right. Captivating writing, perhaps even great writing, the writing you read in the books we play watch guard over here at the library, is not accomplished by some child with the singular goal of publication. It is accomplished when the author has something to say, without regard to whether one person or a million reads their words. I struggle with this constantly, I think all writers do, but this is the best piece of advice I can offer any and all the writers at Flintridge Prep. If you sit down and write that essay, that poem, that short story simply because Mr. Bachmann or Mr. Meyers requires it, you're not going to write anything worth reading. But if you write even a paragraph because you have knowledge or an opinion to impart, you're on your way to a good -- if not downright interesting-- piece of prose.
Now if only that helped me on my goal of making a million friends. Current Facebook Friend Count: 674.